The hotly anticipated new novel from the internationally bestselling author of The Bone Clocks and Cloud Atlas. Utopia Avenue may be the most extraordinary British band you've never heard of. Emerging from London's psychedelic scene in 1967 and fronted by folksinger Elf Holloway, guitar demigod Jasper de Zoet and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief blazing journey from the clubs of Soho and draughty ballrooms to Top of the Pops and the Top 10; to Amsterdam, Rome and a fateful American fortnight in the autumn of 1968. David Mitchell's new novel is the story of Utopia Avenue and its age; of riots in the street and revolutions in the head; of drugs and thugs, schizophrenia, love, sex, grief, art; of the families we choose and the ones we don't; of fame's Faustian pact and stardom's wobbly ladder. Do we change the world or does the world change us? Utopia means 'nowhere' but might it be somewhere, if only we knew how to look?
A headlong adrenaline-rush of a new novel from one of our most beloved and original writers: Slade House, which has its origins in Mitchell's famously Twitter-released short story last year, is his most entertaining and accessible novel yet. A cycle of linked ghost stories perfect for any dark and stormy night. An ordinary road in a town like yours: bus routes and red-brick houses. A dank narrow alley, easy to miss, even when you're looking for it. A small black metal door set into the wall: no handle, no keyhole, but at your touch it opens onto a sunlit garden, sloping up to a house that doesn't quite make sense... Go through, and the door closes discreetly behind you. In David Mitchell's exhilarating new novel, five "guests" separated by nine years enter Slade House for a brief visit--only to vanish without trace from the outside world. Who draws them to the heart of Slade House, and why is the house missing from maps? Beginning in 1979 and ending in 2015, these five interlacing narratives will enchant Mitchell's readers, old and new, with a signature blend of mystery, realism and the supernatural.
Winner of the Mail on Sunday/John Llewellyn Rhys Prize. A magnificent achievement and an engrossing experience, David Mitchell's first novel announced the arrival of one of the most exciting writers of the twenty-first century. An apocalyptic cult member carries out a gas attack on a rush-hour metro, but what links him to a jazz buff in downtown Tokyo? Or to a Mongolian gangster, a woman on a holy mountain who talks to a tree, and a late night New York DJ? Set at the fugitive edges of Asia and Europe, Ghostwritten weaves together a host of characters, their interconnected destinies determined by the inescapable forces of cause and effect.
“The novelist who’s been showing us the future of fiction” (The Washington Post), David Mitchell delivers a kaleidoscopic, serpentine masterpiece that navigates between characters, eras, and realms of possibility to weave its astonishing spell. An eloquent conjurer of intricate, interconnected tales, a genre-bending daredevil, and a master prose stylist—David Mitchell has outdone himself. The Bone Clocks is a hypnotic Rubik’s cube of a novel that begs to be taken apart and put back together long after the final piece is fit into place. Following a scalding row with her mother, fifteen year-old Holly Sykes slams the door on her old life. But Holly is no typical teenage runaway: a sensitive child once contacted by voices she knew only as “the radio people,” Holly is a lightning rod for psychic phenomena. Now, as she wanders deeper into the English countryside, visions and coincidences reorder her reality until they assume the aura of a nightmare brought to life. For Holly has caught the attention of a cabal of dangerous mystics—and their enemies. But her lost weekend is merely the prelude to a shocking disappearance that leaves her family irrevocably scarred. This unsolved mystery will echo through every decade of Holly’s life, affecting all the people Holly loves—even the ones who are not yet born. A Cambridge scholarship boy grooming himself for wealth and influence; a conflicted father who feels alive only while reporting from Occupied Iraq; a middle-aged writer mourning his exile from the bestseller list: all have a part to play in this surreal, invisible war on the margins of our world. From the medieval Swiss Alps to the nineteenth century Australian bush, from a hotel in Shanghai to a Manhattan townhouse in the near future, their stories come together in moments of everyday grace and extraordinary wonder.
Shortlisted for the Booker Prize 2001 The second novel from the critically-acclaimed author of GHOSTWRITTEN and CLOUD ATLAS. As Eiji Miyake's twentieth birthday nears, he arrives in Tokyo with a mission - to locate the father he has never met. So begins a search that takes him into the seething city's underworld, its lost property offices and video arcades, and on a journey that zigzags from reality to the realm of dreams. But until Eiji has fallen in love and exorcised his childhood demons, the belonging he craves will remain, tantalizingly, just beyond his grasp.
By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize In 2007, Time magazine named him one of the most influential novelists in the world. He has twice been short-listed for the Man Booker Prize. The New York Times Book Review called him simply “a genius.” Now David Mitchell lends fresh credence to The Guardian’s claim that “each of his books seems entirely different from that which preceded it.” The Thousand Autumns of Jacob de Zoet is a stunning departure for this brilliant, restless, and wildly ambitious author, a giant leap forward by even his own high standards. A bold and epic novel of a rarely visited point in history, it is a work as exquisitely rendered as it is irresistibly readable. The year is 1799, the place Dejima in Nagasaki Harbor, the “high-walled, fan-shaped artificial island” that is the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay; the farthest outpost of the war-ravaged Dutch East Indies Company; and a de facto prison for the dozen foreigners permitted to live and work there. To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland. But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?” A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author. Praise for The Thousand Autumns of Jacob de Zoet “A page-turner . . . [David] Mitchell’s masterpiece; and also, I am convinced, a masterpiece of our time.”—Richard Eder, The Boston Globe “An achingly romantic story of forbidden love . . . Mitchell’s incredible prose is on stunning display. . . . A novel of ideas, of longing, of good and evil and those who fall somewhere in between [that] confirms Mitchell as one of the more fascinating and fearless writers alive.”—Dave Eggers, The New York Times Book Review “The novelist who’s been showing us the future of fiction has published a classic, old-fashioned tale . . . an epic of sacrificial love, clashing civilizations and enemies who won’t rest until whole family lines have been snuffed out.”—Ron Charles, The Washington Post “By any standards, The Thousand Autumns of Jacob de Zoet is a formidable marvel.”—James Wood, The New Yorker “A beautiful novel, full of life and authenticity, atmosphere and characters that breathe.”—Maureen Corrigan, NPR Look for special features inside. Join the Random House Reader’s Circle for author chats and more. From the Trade Paperback edition.
By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize Selected by Time as One of the Ten Best Books of the Year | A New York Times Notable Book | Named One of the Best Books of the Year by The Washington Post Book World, The Christian Science Monitor, Rocky Mountain News, and Kirkus Reviews | A Los Angeles Times Book Prize Finalist | Winner of the ALA Alex Award | Finalist for the Costa Novel Award From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date. Praise for Black Swan Green “[David Mitchell has created] one of the most endearing, smart, and funny young narrators ever to rise up from the pages of a novel. . . . The always fresh and brilliant writing will carry readers back to their own childhoods. . . . This enchanting novel makes us remember exactly what it was like.”—The Boston Globe “[David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time “[A] brilliant new novel . . . In Jason, Mitchell creates an evocation yet authentically adolescent voice.”—The New York Times Book Review “Alternately nostalgic, funny and heartbreaking.”—The Washington Post “Great Britain’s Catcher in the Rye—and another triumph for one of the present age’s most interesting and accomplished novelists.”—Kirkus Reviews (starred review) “This book is so entertainingly strange, so packed with activity, adventures, and diverting banter, that you only realize as the extraordinary novel concludes that the timid boy has grown before your eyes into a capable young man.”—Entertainment Weekly From the Hardcover edition.
Daniel Weir used to be a famous - not to say infamous - rock star. Maybe still is. At thirty-one he has been both a brilliant failure and a dull success. He's made a lot of mistakes that have paid off and a lot of smart moves he'll regret forever (however long that turns out to be). Daniel Weir has gone from rags to riches and back, and managed to hold onto them both, though not much else. His friends all seem to be dead, fed up with him or just disgusted - and who can blame them? And now Daniel Weir is all alone. As he contemplates his life, Daniel realises he only has two problems: the past and the future. He knows how bad the past has been. But the future - well, the future is something else.
A Boston music journalist-turned-corporate writer investigates the suspicious death of a friend from her punk past in this noir mystery. The Boston club scene may be home to a cast of outsiders and misfits, but it’s where Tara Winton belongs—the world she’s been part of for the past twenty years. Now, one of the old gang is dead, having fallen down the basement stairs at his home. With her journalist’s instincts, Tara senses there’s something not quite right about Frank’s supposedly accidental death. When she asks questions, she begins to uncover some disturbing truths about the club scene in its heyday. Beneath the heady, sexually charged atmosphere lurked something darker. Twenty years ago, there was another death. Could there be a connection? Is there a killer still at large…and could Tara herself be at risk? “[A] a fascinating reminiscence of sex, drugs, and rock and roll.”—Kirkus Reviews “Simon writes with authority and affection about a lost world. Highly recommended”—Catriona McPherson, award-winning author of Strangers at the Gate “World Enough, is steeped in the 1980s Boston rock scene, with its sticky-floored clubs, radio stations dusted in coke, stars and hangers-on, seedy barbacks, and all the attendant sin and debauch that emerges after midnight when you can still hear the show ringing in your ears.”—Boston Globe “Simon's dark story shimmers with brilliance—and stands as her finest.”—Richmond Times-Dispatch