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Genre: Music
Date Book: 2004
Editor by: Prentice Hall
Format Book: PDF, ePUB & Audiobooks
Download: 252
Languages: English, French and German

Written in a clear style that speaks directly to the serious conducting student, The Modern Conductor, Seventh Edition, maintains Dr. Elizabeth A.H. Green's time-honored approach to conducting technique while offering new insights into opera conducting, career-building, and score study. Building on the concept of conducting as a time-space activity, co-author Mark Gibson clarifies the pedagogical ideas of the legendary Russian maestro, Nicolai Malko, as first put forth by Dr. Green. The Seventh Edition incorporates into Malko's classic approach a heightened emphasis on the role of the conductor and the non-technical skills that the aspiring conductor must acquire to prepare for a podium career in the twenty-first century. Among the topics included are: The Usefulness of the Baton Expressive Gestures "Zig-Zag" Audition/Rehearsal Checklist The student will attain insights into handling contemporary scores and unconventional notation, as well as instrumental and choral conducting and aspects of advanced musicianship in relation to wind ensemble, orchestra and chorus. Important concepts and terms are highlighted to enable the reader to find them quickly. Exercises and drills are included in the text to reinforce critical concepts and skills.

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Genre: Music
Date Book: 2015-08-20
Editor by: Scarecrow Press
Format Book: PDF, ePUB & Audiobooks
Download: 432
Languages: English, French and German

Titles in Dictionaries for the Modern Musician: A Scarecrow Press Music Series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique, major works to key figures. A must-have for any musician’s personal library! Filling a vital need in the rapidly changing and complex field of conducting, A Dictionary for the Modern Conductor is a concise one-volume reference tool that brings together for the first time information covering a broad array of topics essential for today’s conductor to know. Author and conductor Emily Freeman Brown offers easy-to-read definitions of key musical terms, translated foreign terms, examples of usage from orchestral music and practical vocabulary in multiple languages. A Dictionary for the Modern Conductor includes biographies of major conductors and other individual important to the world of modern conducting, emphasizing throughout their contributions to the progress of the conducting professional; critical information on major orchestras, significant ensembles, key institutions and organizations, with a focus on the ways in which they preserve and advance today’s musical life; and practical entries covering baton and rehearsal techniques, bowing terms, information about instruments, voice types and much more. In a series of appendixes, A Dictionary for the Modern Conductor also covers such topics as orchestral works that changed the art and practice of conducting, a short historiography of conducting, a comprehensive bibliography, a look at conducting recitative, and a list of pitches, interval names, rhythmic terms, orchestral and percussion instrument names, and finally translations of all of these categories of information into French, German, Italian, and Spanish. A Dictionary for the Modern Conductor will appeal to aspiring conductors and seasoned professionals. It is an invaluable resource.

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Genre: Music
Date Book: 2000-03-01
Editor by: Meredith Music
Format Book: PDF, ePUB & Audiobooks
Download: 128
Languages: English, French and German

(Meredith Music Resource). This outstanding "one-of-a-kind" text was designed to assist the conductor in achieving a personal interpretation of music.

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Genre: Conducting
Date Book: 1975
Editor by: Prentice Hall
Format Book: PDF, ePUB & Audiobooks
Download: 191
Languages: English, French and German

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Genre: Music
Date Book: 2009-08-26
Editor by: Oxford University Press
Format Book: PDF, ePUB & Audiobooks
Download: 512
Languages: English, French and German

Known internationally for his work as a teacher of conducting, Gustav Meier's influence in the field cannot be overstated. In The Score, the Orchestra and the Conductor, Meier demystifies the conductor's craft with explanations and illustrations of what the conductor must know to attain podium success. He provides useful information from the rudimentary to the sophisticated, and offers specific and readily applicable advice for technical and musical matters essential to the conductor's first rehearsal with the orchestra. This book details many topics that otherwise are unavailable to the aspiring and established conductor, including the use of the common denominator, the "The ZIG-ZAG method", a multiple, cross-indexed glossary of orchestral instruments in four languages, an illustrated description of string harmonics, and a comprehensive listing of voice categories, their overlaps, dynamic ranges and repertory. The Score, the Orchestra and the Conductor is an indispensable addition to the library of every conductor and conducting student.

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Genre: Music
Date Book: 2009
Editor by: GIA Publications
Format Book: PDF, ePUB & Audiobooks
Download: 470
Languages: English, French and German

Includes biographies of selected American women choral conductors.

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Genre: Fiction
Date Book: 2011-08-26
Editor by: Penguin Random House New Zealand Limited
Format Book: PDF, ePUB & Audiobooks
Download: 300
Languages: English, French and German

A best-selling, compelling and evocatively realised novel based on real events and figures. It has now sold into eight different countries around the world. In June 1941, Nazi troops march on Leningrad and surround it. Hitler's plan is to shell, bomb, and starve the city into submission. Most of the cultural elite are evacuated early in the siege, but Dmitri Shostakovich, the most famous composer in Russia, stays on to defend his city, digging ditches and fire-watching. At night he composes a new work. But after Shostakovich and his family are forced to evacuate, only Karl Eliasberg - a shy and difficult man, conductor of the second-rate Radio Orchestra - and an assortment of musicians are left behind in Leningrad to face an unendurable winter and start rehearsing the finished score of Shostakovich's Leningrad Symphony.

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Genre:
Date Book:
Editor by:
Format Book: PDF, ePUB & Audiobooks
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Languages: English, French and German

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Genre: Music
Date Book: 1998-12-10
Editor by: Oxford University Press
Format Book: PDF, ePUB & Audiobooks
Download: 592
Languages: English, French and German

A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.

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Genre: Music appreciation
Date Book: 2019
Editor by: Knopf
Format Book: PDF, ePUB & Audiobooks
Download: 224
Languages: English, French and German

With a lifetime of experience, profound knowledge and understanding, and heartwarming appreciation, an internationally celebrated conductor and teacher answers the questions: Why should I listen to classical music? How can I get the most from the listening experience? A protégé of Leonard Bernstein--his colleague for eighteen years--and an eminent conductor who has toured and recorded all over the world, John Mauceri helps us to reap the joys and pleasures classical music has to offer. Briefly, we learn the way a musical tradition born in ancient Greece, embraced by the Roman Empire, and subsequently nurtured by influences from across the globe, gave shape to the classical music that came to be embraced by cultures from Japan to Bolivia. Then Mauceri examines the music itself, helping us understand what it is we hear when we listen to classical music: how, by a kind of sonic metaphor, it expresses the deepest recesses of human feeling and emotion; how each piece bears the traces of its history; how the concert experience--a unique one each and every time--allows us to discover music anew. Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.