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Genre: Social Science
Date Book: 1992
Editor by: Univ. of Tennessee Press
Format Book: PDF, ePUB & Audiobooks
Download: 305
Languages: English, French and German

Between 1935 and 1942, photographers for the New Deal's Resettlement Administration-Farm Security Administration (FSA) captured in powerfully moving images the travail of the Great Depression and the ways of a people confronting radical social change. Those who speak of the special achievement of FSA photography usually have in mind such white icons as Dorothea Lange's Migrant Mother or Walker Evans's Alabama sharecroppers. But some six thousand printed images, a tenth of FSA's total, included black figures or their dwellings. At last, Nicholas Natanson reveals both the innovative treatment of African Americans in FSA photographs and the agency's highly problematic use of these images once they had been created. While mono-dimensional treatments of blacks were common in public and private photography of the period, such FSA photographers as Ben Shahn, Arthur Rothstein, and Jack Delano were well informed concerning racial problems and approached blacks in a manner that avoided stereotypes, right-wing as well as left-wing. In addition, rather than focusing exclusively on FSA-approved agency projects involving blacks - politically the safest course - they boldly addressed wider social and cultural themes. This study employs a variety of methodological tools to explore the political and administrative forces that worked against documentary coverage of particularly sensitive racial issues. Moreover, Natanson shows that those who drew on the FSA photo files for newspapers, magazines, books, and exhibitions often entirely omitted images of black people and their environment or used devices such as cropping and captioning to diminish the true range of the FSA photographers' vision.

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Genre: Documentary photography
Date Book: 2016
Editor by:
Format Book: PDF, ePUB & Audiobooks
Download: 605
Languages: English, French and German

Amid the ravages of the Great Depression, the United States Farm Security Administration (FSA) was first founded in 1935 to address the countryrsquo;s rural poverty. Its efforts focused on improving the lives of sharecroppers, tenants, and very poor landowning farmers, with resettlement and collectivization programs, as well as modernized farming methods. In a parallel documentation program, the FSA hired a number of photographers and writers to record the lives of the rural poor and ldquo;introduce America to Americans.rdquo; This book records the full reach of the FSA program from 1935 to 1943, honoring its vigor and commitment across subjects, states, and stylistic preferences. The photographs are arranged into four broad regional sections but are allowed to speak for themselves.

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Genre: History
Date Book: 2015-10
Editor by: University of Oklahoma Press
Format Book: PDF, ePUB & Audiobooks
Download: 272
Languages: English, French and German

As time passes, personal memories of the Great Depression die with those who lived through the desperate 1930s. In the absence of firsthand knowledge, John Steinbeck’s The Grapes of Wrath and the photographs produced for the New Deal’s Farm Security Administration (FSA) now provide most of the images that come to mind when we think of the 1930s. That novel and those photographs, as this book shows, share a history. Fully exploring this complex connection for the first time, Picturing Migrants offers new insight into Steinbeck’s novel and the FSA’s photography—and into the circumstances that have made them enduring icons of the Depression. Looking at the work of Dorothea Lange, Horace Bristol, Arthur Rothstein, and Russell Lee, it is easy to imagine that these images came straight out of the pages of The Grapes of Wrath. This should be no surprise, James R. Swensen tells us, because Steinbeck explicitly turned to photographs of the period to create his visceral narrative of hope and loss among Okie migrants in search of a better life in California. When the novel became an instant best seller upon its release in April 1939, some dismissed its imagery as pure fantasy. Lee knew better and traveled to Oklahoma for proof. The documentary pictures he produced are nothing short of a photographic illustration of the hard lives and desperate reality that Steinbeck so vividly portrayed. In Picturing Migrants, Swensen sets these lesser-known images alongside the more familiar work of Lange and others, giving us a clearer understanding of the FSA’s work to publicize the plight of the migrant in the wake of the novel and John Ford’s award-winning film adaptation. A new perspective on an era whose hardships and lessons resonate to this day, Picturing Migrants lets us see as never before how a novel and a series of documentary photographs have kept the Great Depression unforgettably real for generation after generation.

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Genre: History
Date Book: 2012
Editor by:
Format Book: PDF, ePUB & Audiobooks
Download: 231
Languages: English, French and German

Upon entering the White House in 1933, President Franklin D. Roosevelt faced an ailing economy in the throes of the Great Depression and rushed to transform the country through recovery programs and legislative reform. By 1934, he began to send professional photographers to the state of West Virginia to document living conditions and the effects of his New Deal programs. The photographs from the Farm Security Administration Project not only introduced “America to Americans,” exposing a continued need for government intervention, but also captured powerful images of life in rural and small town America.New Deal Photographs of West Virginia, 1934-1943 presents images of the state's northern and southern coalfields, the subsistence homestead projects of Arthurdale, Eleanor, and Tygart Valley, and various communities from Charleston to Clarksburg and Parkersburg to Elkins. With over one hundred and fifty images by ten FSA photographers, including Walker Evans, Marion Post Wolcott, Arthur Rothstein, and Ben Shahn, this collection is a remarkable proclamation of hardship, hope, endurance, and, above all, community. These photographs provide a glimpse into the everyday lives of West Virginians during the Great Depression and beyond.

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Genre: Documentary photography
Date Book: 1987
Editor by:
Format Book: PDF, ePUB & Audiobooks
Download: 196
Languages: English, French and German

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Genre: Biography & Autobiography
Date Book: 2003
Editor by: Montana Historical Society
Format Book: PDF, ePUB & Audiobooks
Download: 242
Languages: English, French and German

Arthur Rothstein, Russell Lee, John Vachon, and Marion Post Wolcott became some of the United States' best-known photographers through their pictures of Depression-era America. Their assignment, as one of their associates described it, was to have "a long look at the whole vast, complicated rural U.S. landscape with all that was built on it and all those who built and wrecked and worked in it and bore kids and dragged them up and played games and paraded and picnicked and suffered and died and were buried in it." In Montana the four photographers traveled to forty of the state's fifty-six counties, creating a rich record of the many facets of the Depression and recovery: rural and urban, agricultural and industrial, work and play, hard times and the promise of a brighter future. The photographers captured the dignity of Montanans as they struggled to scratch out livings from dried-up fields, nurture families in the shadows of Butte head frames, and foster communities on the vast expanses of the northern plains. Hope in Hard Times, features over 140 Farm Security Administration photographs to illustrate the story of the Great Depression in Montana and the experiences of the photographers who documented it. Today these striking images, from cities like Butte to small towns like Terry, present an unforgettable portrait of a little-studied period in the history of Montana. Selected from the Farm Security Administration Collection at the Library of Congress in Washington, D.C., the photographs in Hope in Hard Times offer viewers an unparalleled look at life in Montana in the years preceding the United States' entry into World War II.

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Genre: History
Date Book: 2002
Editor by: University of Missouri Press
Format Book: PDF, ePUB & Audiobooks
Download: 154
Languages: English, French and German

Among FDR's most important New Deal programs were those created to address rural poverty and a depressed farm economy. In 1935, several such programs were consolidated into the Resettlement Administration, which in 1937 became the Farm Security Administration (FSA). For the next six years, the FSA stayed at the center of a turbulent battle over the shift from regional to national authority. One tool the FSA used to defend itself against political attacks was its Photographic Section, under the direction of Roy Stryker. Stryker, who was once referred to as "the press agent of the underprivileged," directed a team of photographers who documented American life in the thirties, capturing images of the old ways while seeking to justify a new agricultural order. The photos they took were used to build up popular support for the FSA and the New Deal. Seven of these photographers traveled in Missouri and produced a collection of over 1,250 pictures. Drawing on those photographs, A Portrait of Missouri, 1935-1943 chronicles the photographers' work, the programs they sought to promote, and slices of life they captured in Missouri during this time. Small town life, desperate farm conditions, urban renewal, and the 1939 sharecroppers' strike are all brought to life in these intriguing photos. However, A Portrait of Missouri, 1935-1943 is more than a picture book. Through its introductory essay and the text that accompanies the photos, the book traces the changing nature of agriculture in the early part of the twentieth century and recounts the effects of the depression on Missouri. The photographs from the FSA file help the reader to examine how social and economic changes were tied to demands for political changes, and to consider the intended and actual effects on Missourians of the national government's policies. Political realities, including limited resources that allowed the FSA to serve only a fraction of the population that sought aid, and organized opposition, based in part on class and race, limited the achievements of the FSA. Sixty years after its demise, the FSA is still seen as a savior by some and a bedeviler by others. A Portrait of Missouri, 1935-1943 helps the reader better understand the debate over the FSA, while providing a unique glimpse of midwestern American life in the 1930s.

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Genre: City planning
Date Book: 2017
Editor by: Kehrer Verlag
Format Book: PDF, ePUB & Audiobooks
Download: 175
Languages: English, French and German

Photographs of three communities built during the Great Depression explore one of the most ambitious programs of Roosevelt's New Deal.

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Genre: History
Date Book: 1988-10-27
Editor by: Univ of California Press
Format Book: PDF, ePUB & Audiobooks
Download: 361
Languages: English, French and German

Gathers photographs by Walker Evans, Dorothea Lange, Russell Lee and others, that everyday life in the U.S

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Genre: History
Date Book: 2014
Editor by: Arcadia Publishing
Format Book: PDF, ePUB & Audiobooks
Download: 127
Languages: English, French and German

Berkeley's 1930s and early 1940s New Deal structures and projects left a lasting legacy of utilitarian and beautiful infrastructure. These public buildings, schools, parks, and artworks helped shape the city and thus the lives of its residents; it is hard to imagine Berkeley without them. The artists and architects of these projects mention several themes: working for the community, responsibility, the importance of government support, collaboration, and creating a cultural renaissance. These New Deal projects, however, can be called "hidden history" because their legacies have been mostly ignored and forgotten. Comprehending the impact of the New Deal on one American city is only possible when viewed as a whole. Berkeley might have gotten a little more or a little less New Deal funding than other towns, but this time it wasn't "Bezerkeley" but very much typical and mainstream. More than history, this book shows the period's relevance to today's social, political, and economic realities. The times may again call for comprehensive public policy that reaches Main Street.