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Genre: Music
Date Book: 2007-05-07
Editor by: Cengage Learning
Format Book: PDF, ePUB & Audiobooks
Download: 624
Languages: English, French and German

This classic anthology assembles over 200 source readings, bringing to life the history of music through letters, reviews, biographical sketches, memoirs, and other documents. Writings by composers, critics, and educators touch on virtually every aspect of Western music from ancient Greece to the present day. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

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Genre: Music
Date Book: 2007-05-07
Editor by: Nelson Education
Format Book: PDF, ePUB & Audiobooks
Download: 624
Languages: English, French and German

This classic anthology assembles over 200 source readings, bringing to life the history of music through letters, reviews, biographical sketches, memoirs, and other documents. Writings by composers, critics, and educators touch on virtually every aspect of Western music from ancient Greece to the present day. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

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Genre: Music
Date Book: 1988
Editor by: Oxford University Press on Demand
Format Book: PDF, ePUB & Audiobooks
Download: 287
Languages: English, French and German

This book examines all major non-Western urban music styles, from increasingly familiar genres like reggae and salsa, to the lesser-known regional styles of Latin America, the Caribbean, Africa, the Middle East, non-Western Europe (Greece, Yugoslavia, Portugal), Asia, and the Near East. Manuel establishes parameters that distinguish popular music from both folk and classical music, defining popular music as music created with the mass media in mind and reproduced on a large scale basis as a salable commodity for wide public consumption. While emphasizing stylistic analysis and historical development, he also treats the diverse popular musics as sites for the negotiation and mediation of the dialectics of nationalism and acculturation, tradition and modernity, urban and rural aesthetics, and grassroots spontaneity and corporate or bureaucratic manipulation. --From publisher's description.

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Genre: Music
Date Book: 2010
Editor by:
Format Book: PDF, ePUB & Audiobooks
Download: 906
Languages: English, French and German

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Genre: Art
Date Book: 1965
Editor by:
Format Book: PDF, ePUB & Audiobooks
Download: 320
Languages: English, French and German

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Genre: Music
Date Book: 2017-07-05
Editor by: Routledge
Format Book: PDF, ePUB & Audiobooks
Download: 628
Languages: English, French and German

This collection provides readers with a diverse and contemporary overview of research in the field. Drawing upon scholarly writing from a range of disciplines and approaches, it provides case studies from a wide range of 'non Western' musical contexts. In so doing the volume attends to the central themes that have emerged in this area of popular music studies; cultural politics, identity and the role of technology. This collection does not seek to establish a new theoretical paradigm, but being primarily aimed at researchers and students, offers as comprehensive a view of the research that has been carried out over the last few decades as possible, given the global scope of the subject. Inevitably, the experience of globalisation itself runs through many of the contributions, not only because musicians find themselves part of an immense flow of international culture, technology and finance, but also because Western scholarship can also be considered an aspect of such a flow. The articles selected for the volume take different disciplinary approaches; many are close ethnographic descriptions of musical practices whilst others take a more historical view of a musical 'scene' or even a single musician. Some essays consider the effects of emerging technologies upon the production, dissemination and consumption of music, whilst the political context is central to other authors. The collection as a whole serves as a resource for those who wish to be better acquainted with the diversity of research that has been carried out into non-western pop, whilst also highlighting the broader themes that have, so far, shaped academic approaches to the subject.

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Genre: Music
Date Book: 2007-03-05
Editor by: Duke University Press
Format Book: PDF, ePUB & Audiobooks
Download: 304
Languages: English, French and German

DIVStudy of how systems of power and domination have shaped representations of otherness in music./div

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Genre: Music
Date Book: 2000-10-15
Editor by: Univ of California Press
Format Book: PDF, ePUB & Audiobooks
Download: 360
Languages: English, French and German

"[Western Music and Its Others] will be taken as an important book signalling a new turn within the field. It takes the best features of traditional, rigorous scholarship and brings these to bear upon contemporary, more speculative questions. The level of theoretical sophistication is high. The studies within it are polemical and timely and of lasting scholarly value."—Will Straw, co-editor of Theory Rules: Art as Theory/ Theory and Art "The great value of this collection lies in the wealth of questions that it raises--questions that together crystallize the recent concerns of musicology with force and clarity. But it also lies in the authors' resistance to the easy 'postmodernist' answers that threaten to turn new musicology prematurely grey. The editors' comprehensive, intellectually adventurous introduction exemplifies the sort of eager yet properly skeptical receptivity to scholarly innovation that fosters lasting disciplinary reform. It alone is worth the price of the book." —Richard Taruskin, author of Stravinsky and the Russian Traditions: A Biography of the Works Through " Mavra" "When cultural-studies methods first appeared in musicology 15 years ago, they triggered a storm of polemics that sometimes overshadowed the important issues being raised. As the canon wars recede, however, scholars are finding it possible to focus on the concerns that led them to cultural criticism in the first place: the study of music and its political meanings. Western Music and Its Others brings together leading musicologists, ethnomusicologists, and specialists in film and popular music to explore the ways European and North American musicians have drawn on or identified themselves in tension with the musical practices of Others. In a series of essays ranging from examination of the Orientalist tropes of early 20th-century Modernists to the tangled claims for ownership in today's World Music, the authors in this collection greatly advance both our knowledge of specific case studies and our intellectual awareness of the complexity and urgency of these problems. A timely intervention that should help push music studies to the next level." —Susan McClary, author of Conventional Wisdom: The Content of Musical Form (2000) "This collection provides a sophisticated model for using theory to interrogate music and music to interrogate theory. The essays both take up and challenge the dominance of notions of representation in cultural theory as they explore the relevance of the concepts of hybridity and otherness for contemporary art music. Sophisticated theory, erudite scholarship and a very real appreciation for the specificities of music make this a powerful and important addition to our understanding of both culture and music." —Lawrence Grossberg, author of Dancing in Spite of Myself

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Genre:
Date Book: 2017
Editor by:
Format Book: PDF, ePUB & Audiobooks
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Languages: English, French and German

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Genre: Music
Date Book: 2016-07-18
Editor by: Oxford University Press, USA
Format Book: PDF, ePUB & Audiobooks
Download: 528
Languages: English, French and German

Ideas and Styles in the Western Musical Tradition, Fourth Edition, explores the conceptual frameworks that have shaped musical development from antiquity to the present. In a lively narrative that prompts readers to think both critically and creatively, Douglass Seaton uses historical documents from thinkers, artists, and musicians to add rich detail to the compelling story of Western music. This brief and accessible narrative of music history features numerous works of art, literature, and music that immerse students in the historical and intellectual contexts of musical styles. The thoroughly updated and revised fourth edition offers: · New pedagogy including chapter-opening summaries and outlines; marginal cues to identify key ideas in each paragraph; and extended excerpts from key historical texts · Increased and balanced coverage of women's roles in music history, ranging from discussions of key composers and performers like Isabella d'Este and Fanny Hensel to women's important roles as patrons · A custom score anthology drawn from the Oxford History of Western Music offers students full scores and analysis for key works from the text · A more user-friendly design makes it easier for students to quickly locate key information · Updates to the narrative throughout, including the most recent research findings along with updates to the reception of key works