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Genre: Music
Date Book: 2013-10-19
Editor by: Univ of California Press
Format Book: PDF, ePUB & Audiobooks
Download: 256
Languages: English, French and German

What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

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Genre:
Date Book: 2020-06-19
Editor by:
Format Book: PDF, ePUB & Audiobooks
Download: 120
Languages: English, French and German

This standard manuscript was design to record musical notes for guitar and violin.can be used by professionals or students in college and high school music classes. This notebook contains: Manuscript Paper Standard Manuscript Paper Chord Fingering Charts 120 Pages wide format 8.5x 11 inch Matte Cover

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Genre: Juvenile Fiction
Date Book: 2017-12-13
Editor by: Triangle Interactive, Inc.
Format Book: PDF, ePUB & Audiobooks
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Languages: English, French and German

Read Along or Enhanced eBook: When the animals get together in the jungle, they discover that the noise that they have been making is indeed music. Celebrated author and master storyteller, Dylan Pritchett weaves a tale that helps us discover that we all have music inside just waiting to come out when the time is right. This original award winning story is based on the model of traditional African folktales.

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Genre: Music
Date Book: 1996-01-01
Editor by: Courier Corporation
Format Book: PDF, ePUB & Audiobooks
Download: 232
Languages: English, French and German

First comprehensive historical study, going back to 18th century. Influence of Schola Cantorum; instrument builders; performers such as Wanda Landowska, Alfred Deller, others. Includes 46 illustrations. "Well informed" -- Christopher Hogwood.

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Genre: Juvenile Fiction
Date Book: 2006
Editor by: august house
Format Book: PDF, ePUB & Audiobooks
Download: 32
Languages: English, French and German

A series of accidents in the jungle proves that all the animals have something special to add when it comes to making music, in a delightful tale that helps readers discover that we all have music inside just waiting to come out.

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Genre: Education
Date Book: 2002-01-04
Editor by: Routledge
Format Book: PDF, ePUB & Audiobooks
Download: 188
Languages: English, French and German

Music in the Early Years is for teachers working across the 3 to 8 age phase who want to make music integral to the life of the nursery and early years classroom. Music has often been taught as if it were different, something outside the mainstream curriculum, with teaching approaches quite at odds with early years work. This book takes children's development as its basis and works towards building a music pedagogy within early years practice. A readiness to listen, observe and reflect is central to the practice which threads through the book. Based on the authors' extensive experience and drawing on that of other teachers and researchers, lots of well-tried, practical ideas show how teachers, parents and carers can help children fulfil their music potential. Sample activities model ways of working with children and have been written in such a way that they can be substituted with other material and adapted for further use. Earlier and later stages of learning and progression are described as a basis for matching activities with children's learning needs, as well as a companion book, Primary Music: Later Years.

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Genre: Music
Date Book: 2010-01-01
Editor by: McGraw-Hill College
Format Book: PDF, ePUB & Audiobooks
Download: 294
Languages: English, French and German

Based on tested methods used by the author in many years of teaching, Music First! takes a step-by-step approach to the fundamentals of music theory and basic composition, engaging students by a combination of explanation and interaction. Students learn cumulatively as they progress through the book. This popular "learn-by-doing" approach reinforces theoretical principles through practice and will enliven any Fundamentals course.

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Date Book:
Editor by: Rex Bookstore, Inc.
Format Book: PDF, ePUB & Audiobooks
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Languages: English, French and German

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Genre: Music
Date Book: 19??
Editor by:
Format Book: PDF, ePUB & Audiobooks
Download: 42
Languages: English, French and German

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Genre: Music
Date Book: 2013-01-28
Editor by: Ashgate Publishing, Ltd.
Format Book: PDF, ePUB & Audiobooks
Download: 206
Languages: English, French and German

Towards a Twenty-First-Century Feminist Politics of Music opens up a new way of thinking about the absence of women's music. It does not aim to find 'a solution' in a liberal feminist sense, but to discover new potentialities, new possibilities for thought and action. Sally Macarthur encourages us, with the assistance of Deleuze, and feminist-Deleuzian work, to begin the important work of imagining what else might be possible, not in order to provide answers but to open up the as yet unknown. The power of thought - or what Deleuze calls the 'virtual' - opens up new possibilities. Macarthur suggests that the future for women's 'new' music is not tied to the predictable and known but to futures beyond the already-known. Previous research concludes that women's music is virtually absent from the concert hall, and yet fails to find a way of changing this situation. Macarthur finds that the flaw in the recommendations flowing from past research is that it envisages the future from the standpoint of the present, and it relies on a set of pre-determined goals. It thus replicates the present reality, so reinforcing rather than changing the status quo. Macarthur challenges this thinking, and argues that this repetitive way of thinking is stuck in the present, unable to move forward. Macarthur situates her argument in the context of current dominant neoliberal thought and practice. She argues that women have generally not thrived in the neoliberal model of the composer, which envisages the composer as an individual, autonomous creator and entrepreneur. Successful female composers must work with this dominant, modernist aesthetic and exploit the image of the neo-romantic, entrepreneurial creator. This book sets out in contrast to develop a new conception of subjectivity that sows the seeds of a twenty-first-century feminist politics of music.