Ten years ago, I started writing this for you. I wrote it for you and only you. Since then, millions of other people have read it, but none have understood it the way you understand it. I set out to find you a long time ago and today, I'm so glad I finally have. Thank you for reading these words.
"I need you to understand something. I wrote this for you. I wrote this for you and only you. Everyone else who reads it, doesn't get it." The follow-up to the international #1 bestselling collection of prose and photography, I Wrote This For You And Only is the third book in the I Wrote This For You series and gathers together the very best entries in the project from 2011 to 2015. Started in 2007, I Wrote This For You is an internationally acclaimed exploration of hauntingly beautiful words, photography and emotion that's unique to each person that reads it.
I Wrote This For You: Just The Words presents twice the number of entries with over 400 works from the internationally acclaimed poetry and photography project; including several new and never before seen poems. While focusing on the words from the project, new photography launches each section which speaks to the reader's journey through the world: Love Found, Being In Love, Love Lost, Hope, Despair, Living and Dying.
It’s been 10 years since the world officially ended. In the last city on Earth, Jon Salt is addicted to Sadness, a drug that invokes its name, and obsessed with his lover, Michelle; both of which threaten to drive him insane. Strange creatures and new technologies appeared in the last days of humanity and the widespread adoption of teleportation technology sundered the fabric of time and space, leaving a smattering of looping ghosts. It is a sad, monotone world, but the remaining populace is happy, thanks to the anti-depressants in the water supply.The last government on Earth has taken a special interest in a gift that Jon possesses: the ability to make his thoughts real. Jon must rely on that gift and the help of a few unlikely friends to stay one step ahead of those who desperately want to use him for something far more sinister than even he could dream...
"Want to write a book? Well, the spunky, know-it-all narrator of this side-splitting story can tell you just how to do it. Packed with her signature wit and charm, bestselling author Lloyd-Jones--with whimsical illustrations from beloved illustrator Layton--delivers an outrageously silly story that is sure to have young readers--and writers!--howling with laughter"--
*A People Top 10 Book of 2018* The New York Times essayist and author of We Learn Nothing, Tim Kreider trains his singular power of observation on his (often befuddling) relationships with women. Psychologists have told him he’s a psychologist. Philosophers have told him he’s a philosopher. Religious groups have invited him to speak. He had a cult following as a cartoonist. But, above all else, Tim Kreider is an essayist—one whose deft prose, uncanny observations, dark humor, and emotional vulnerability have earned him deserved comparisons to David Sedaris, Sarah Vowell, and the late David Foster Wallace (who was himself a fan of Kreider’s humor). “Beautifully written, with just enough humor to balance his spikiness” (Booklist), I Wrote This Book Because I Love You focuses Tim’s unique perception and wit on his relationships with women—romantic, platonic, and the murky in-between. He talks about his difficulty finding lasting love and seeks to understand his commitment issues by tracking down the John Hopkins psychologist who tested him for a groundbreaking study on attachment when he was a toddler. He talks about his valued female friendships, one of which landed him on a circus train bound for Mexico. He talks about his time teaching young women at an upstate New York college, and the profound lessons they wound up teaching him. And in a hugely popular essay that originally appeared in The New York Times, he talks about his nineteen-year-old cat, wondering if it’s the most enduring relationship he’ll ever have. “In a style reminiscent of Orwell, E.B. White and David Sedaris” (The New York Times Book Review), each of these pieces is “heartbreaking, brutal, and hilarious” (Judd Apatow), and collectively they cement Kreider’s place among the best essayists working today.
(Book). One of the most successful songwriters and composers of the last 25 years, Steve Dorff has penned over 20 Top 10 hits for pop and country artists around the world, including Barbra Streisand, Celine Dion, Blake Shelton, Smokey Robinson, Kenny Rogers, Ray Charles, Anne Murray, Whitney Houston, George Strait, Dolly Parton, Judy Collins, Cher, Dusty Springfield, Ringo Starr, and Garth Brooks. He has scored for television shows, including Growing Pains , Major Dad , Murder She Wrote , Reba , and several films, including Any Which Way but Loose for which he penned the titular song, and more recently, he has embarked on Broadway (forthcoming musical Josephine ). Chronicling his four decades behind the music, Steve Dorff gives anecdotes, advice, and insights into his journey. The book follows Steve from his childhood in Queens to Manhattan to Nashville and to his eventual arrival in Los Angeles, California. Oftentimes, songs are attributed to the singers who perform them, but it is the songwriter who really knows the story behind the story from conception to execution. Full of heartfelt stories, hard-earned wisdom, and delightful wit, I Wrote That One, Too . . . is a great read for musicians, music fans, and whoever has chased their dreams and survived the surprising but often serendipitous turns in the road.
**I know you don’t want to talk sometimes. Sometimes because it hurts and sometimes because you’re just not supposed to talk about what you want to talk about. Sometimes it can be hard to say, “this is beautiful,” when no one else can see what you see. Or, “Here, this is where the pain is.” But some part of you knows, the truth about the words you cannot say is that they only hurt until you say them. They only hurt until the person who needs to hear them, hears them. Because we are human, and the closest we’ve ever come to showing each other who we really are, and how we love, is with words. So I’m going to try to say to you here, what I wish you’d say to me too. Please. Listen. We can change things. Here.