How They Decorated focuses on some of the leading style icons of the twentieth century and how they decorated their own residences around the world. How They Decorated illustrates some of the great rooms of the twentieth century and their stylish residents, who had a decided hand in their decoration. Each lady's refined way of living will be discussed with examples of how they embellished their homes (or left them elegantly spare) and the long-lasting effects of their lives on future generations of designers and connoisseurs of beauty.
Collects tips from such professional interior designers as Kelly Wearstler, Amy Butler, and Jonathan Adler for every room and every budget, along with photographs, line illustrations, checklists, shortcuts, and floor plans.
For readers who enjoyed the colorful, ladylike interiors of Suzanne Kasler, Meg Braff has an appealing retro-chic look that would have suited Betty Draper to a tee. As Traditional Home said, "Think Slim Aarons meets Technicolor Elegance." In her first book, interior designer Meg Braff presents the building blocks of a pretty, polished home, from color and pattern to specific room-by-room advice.
With extensive reference to and exposition on Wilde's theoretical writings and letters, Frankel shows that, far from being marginal elements of the literary text, these decorative devices were central to Wilde's understanding of his own writings as well as to his "aesthetic" theory of language. Extensive illustrations support Frankel's arguments.".
This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.
Nancy Lancaster, who was born in 1897 into a wealthy Virginian family, became one of the greatest influences on interior decoration and garden design in Great Britain and America in the second half of the 20th century. She created what is known today as the 'English Country House Style' – a mixture of faded colors, chintzes and painted and antique furniture. In the garden, she worked in a formal yet romantic neo-Georgian style, which is still a strong spirit in British garden design. This book examines Nancy's contribution to the arts of interior decoration and garden design by chronicling her own homes and gardens –and her extraordinary life. Mirador, her family's Virginian country house, was to remain her key inspiration throughout her life. Nancy herself, her houses, her gardens and her friends are shown in an intriguing collection of photographs by distinguished photographers of the era, including Horst and Cecil Beaton.
One unmistakable feature of the Indian highway is the presence of these brightly decorated trucks that ply the country's roads. The men who drive these trucks spend long hours on the road and can be away from their families for weeks at a time, so their trucks act as a second home and they take great pride in them. In Horn Please photographer Dan Eckstein travelled across India's byzantine and burgeoning road network documenting these elaborate trucks - representing a blinding mash up of new and old India.
NATIONAL BESTSELLER A Goodreads Choice Awards semifinalist Florida Book Awards Silver Medalist Featured in The New York Times, The Atlantic, Time, New York Newsday, and on Today! Best Nonfiction Books to Read in 2019—Woman’s Day The Best Nonfiction Books Coming Out This Year—BookBub “A nonfiction thriller.”—The Wall Street Journal From internationally bestselling author of the “gripping” (Michael Connelly, #1 New York Times bestselling author) Into the Lion’s Mouth comes the extraordinary true story of Odette Sansom, the British spy who operated in occupied France and fell in love with her commanding officer during World War II—perfect for fans of Unbroken, The Nightingale, and Code Girls. The year is 1942, and World War II is in full swing. Odette Sansom decides to follow in her war hero father’s footsteps by becoming an SOE agent to aid Britain and her beloved homeland, France. Five failed attempts and one plane crash later, she finally lands in occupied France to begin her mission. It is here that she meets her commanding officer Captain Peter Churchill. As they successfully complete mission after mission, Peter and Odette fall in love. All the while, they are being hunted by the cunning German secret police sergeant, Hugo Bleicher, who finally succeeds in capturing them. They are sent to Paris’s Fresnes prison, and from there to concentration camps in Germany where they are starved, beaten, and tortured. But in the face of despair, they never give up hope, their love for each other, or the whereabouts of their colleagues. In Code Name: Lise, Larry Loftis paints a portrait of true courage, patriotism, and love—of two incredibly heroic people who endured unimaginable horrors and degradations. He seamlessly weaves together the touching romance between Odette and Peter and the thrilling cat and mouse game between them and Sergeant Bleicher. With this amazing testament to the human spirit, Loftis proves once again that he is adept at writing “nonfiction that reads like a page-turning novel” (Parade).
This remarkable and beautiful book brings together a collection of decorated papers dating from the 16th to the 20th century. They were produced for a wide variety of uses: as wrappers and endpapers for books, as the backing for playing cards, and even as linings for chests and cases. Some decorated papers were used as humble pictures for display in churches and the home; some were sold as souvenirs to pilgrims; and others were used merely as wrappings for foodstuffs such as gingerbread and chocolate. What unites all the papers in the book is the richness of their ornamentation and the thin, flexible characteristics of the original sheets. They are all further united by having been collected by Olga Hirsch (1889-1968), a trained bookbinder who left her collection of some 3,500 papers to the British Library, where they remain one of the largest and most diverse collections of decorated papers in the world. This anthology brings together some of the most exquisite examples. It will delight and inspire designers, bibliophiles and anyone with a love of pattern and decoration.