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Genre: Music appreciation
Date Book: 2018
Editor by:
Format Book: PDF, ePUB & Audiobooks
Download: 402
Languages: English, French and German

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Genre: Music
Date Book: 2006
Editor by: Oxford University Press on Demand
Format Book: PDF, ePUB & Audiobooks
Download: 350
Languages: English, French and German

Musical experience intersects with religious experience, posing challenging questions about the ways in which Americans, historical communities and new immigrants, and racial and ethnic groups, construct their sense of self. This book is the study the ways in which music shapes the distinctive presence of religion in the United States.

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Genre: Music
Date Book: 2000
Editor by: Architectural Index
Format Book: PDF, ePUB & Audiobooks
Download: 178
Languages: English, French and German

This fresh, accessible, and strikingly designed look at the history and future of rock 'n' roll catalogs various artifacts in the collection of the Experience Music Project, a new Seattle rock museum designed by world-renowned architect Frank Gehry. Wood's Introduction is followed by essays by Jim Fricke, Peter Blocha, and others. 200 color illustrations.

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Genre: Music
Date Book: 1989
Editor by: Taylor & Francis
Format Book: PDF, ePUB & Audiobooks
Download: 230
Languages: English, French and German

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Genre: Music
Date Book: 2009
Editor by: Rowman & Littlefield
Format Book: PDF, ePUB & Audiobooks
Download: 349
Languages: English, French and German

This book explores the various ways music affects people and how they create meaning from everyday musical experiences, from infancy through old age. These experiences help us construct meaning and understanding of ourselves, our cultures, and our world. The contributors examine the nature of musical experience and how it changes throughout our lifespan.

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Genre: Music
Date Book: 2014-07-15
Editor by: Oxford University Press
Format Book: PDF, ePUB & Audiobooks
Download: 328
Languages: English, French and German

The Musical Experience proposes a new concept - musical experience - as the most effective framework for navigating the shifting terrain of educational policy as it is applied to music education. The editors and contributors define musical experience as being characterized by the depth of affective and emotional responses that music generates. The chapters map out the primary forms of musical engagement - performing, listening, improvising, and composing - as activities which play a key role in classroom teaching. They also address the cultural scope of musical experience, which calls for the consideration of time, place, beliefs, and values to be placed upon musical activities. The Musical Experience discusses how music teachers can most effectively rely on means of musical communication to lead students toward the development and refinement of musical skills, understandings, and expression in educational settings. This book serves to expand upon the dimensions of musical experience and provides, from the forefront of the field, an integrated yet panoramic view of the educational processes involved in music teaching and learning.

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Genre: Music
Date Book: 2016-06-03
Editor by: Routledge
Format Book: PDF, ePUB & Audiobooks
Download: 266
Languages: English, French and German

Music: A Social Experience offers a topical approach for a music appreciation course. Through a series of subjects–from Music and Worship to Music and War and Music and Gender–the authors present active listening experiences for students to experience music's social and cultural impact. The book offers an introduction to the standard concert repertoire, but also gives equal treatment to world music, rock and popular music, and jazz, to give students a thorough introduction to today's rich musical world. Through lively narratives and innovative activities, the student is given the tools to form a personal appreciation and understanding of the power of music. The book is paired with an audio compilation featuring listening guides with streaming audio, short texts on special topics, and sample recordings and notation to illustrate basic concepts in music. There is not a CD-set, but the companion website with streaming audio is provided at no additional charge.

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Genre: Music
Date Book: 2004
Editor by: Harvard University Press
Format Book: PDF, ePUB & Audiobooks
Download: 389
Languages: English, French and German

The breadth and vitality of pop music are captured in a study that brings together examinations of pop music by pioneers in the study of pop music, pivotal critics, as well as musicians active in the riot grrl and rock scenes.

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Genre: Music
Date Book: 2008-12-11
Editor by: Cambridge Scholars Publishing
Format Book: PDF, ePUB & Audiobooks
Download: 367
Languages: English, French and German

Drawing upon a wide range of scholarly enquiry into early music, queer musicology, ethnomusicology, performance practice, music education and technology, Aesthetics and Experience in Music Performance provides a lively forum for the articulation of varied perspectives on the role of music, its interpretation and function in contexts supported by those who practice or experience it. The formal and shorter discussion papers included in this scholarly collection were presented at the National Workshop of the Musicological Society of Australia, held at the University of Queensland, Brisbane in October 2003. The themes of aesthetics and experience are central to this publication and each paper engages in a scholarly dialogue on the technical, expressive and embodied aspects of performance. The papers included in this publication bring together the research of a wide community of scholars (e.g., musicologists, anthropologists, ethnomusicologists and linguists) working in the field of performance studies and collectively reflect the musicological issues being debated in Australia today.

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Genre: Music
Date Book: 2011-09-29
Editor by: Oxford University Press
Format Book: PDF, ePUB & Audiobooks
Download: 492
Languages: English, French and German

Strong Experiences in Music is a ground-breaking new book, developed from a long-running study into the effects of music. It draws on over two decades of research, and almost 1,000 participants, who describe, in their own words, their own unique and personal experiences of music.