Children of Men meets The Handmaid's Tale in this "bowstring-taut, visceral, and incredibly timely" thriller about how far a mother will go to protect her son from a hostile world transformed by the absence of men (Cory Doctorow). Most of the men are dead. Three years after the pandemic known as The Manfall, governments still hold and life continues -- but a world run by women isn't always a better place. Twelve-year-old Miles is one of the last boys alive, and his mother, Cole, will protect him at all costs. On the run after a horrific act of violence-and pursued by Cole's own ruthless sister, Billie -- all Cole wants is to raise her kid somewhere he won't be preyed on as a reproductive resource or a sex object or a stand-in son. Someplace like home. To get there, Cole and Miles must journey across a changed America in disguise as mother and daughter. From a military base in Seattle to a luxury bunker, from an anarchist commune in Salt Lake City to a roaming cult that's all too ready to see Miles as the answer to their prayers, the two race to stay ahead at every step . . . even as Billie and her sinister crew draw closer. A sharply feminist, high-stakes thriller from award-winning author Lauren Beukes, Afterland brilliantly blends psychological suspense, American noir, and science fiction into an adventure all its own -- and perfect for our times.
The 2016 winner of the Walt Whitman Award of the Academy of American Poets, selected by Carolyn Forché When I make the crossing, you must not be taken no matter what the current gives. When we reach the camp, there will be thousands like us. If I make it onto the plane, you must follow me to the roads and waiting pastures of America. We will not ride the water today on the shoulders of buffalo as we used to many years ago, nor will we forage for the sweetest mangoes. I am refugee. You are too. Cry, but do not weep. —from “Transmigration” Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture’s ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived.
In 1872, the USS Polaris sailed for the Arctic on a mission to hoist the U.S. flag at the North Pole. But the expedition was a failure, and half of the party – nineteen men, women and children of different nationalities–were cast adrift on an ice floe off the coast of Ellesmere Island, where they endured six desperate months of starvation, bloodshed and other horrors. Afterlands, a profoundly moving and gripping book, takes characters drawn from history and transforms their experiences into an absorbing tale of unrequited love, unsettled scores and the high cost of loyalty. The novel begins in 1876, when three of the survivors – George Tyson, Tukulito and Roland Kruger–are uneasily reunited four years after they were rescued from the ice. They are still inextricably connected by their ordeal–and Tyson has recently published an account of their shattering experiences which casts Kruger as a spy and villain, and disgraces Tukulito as well. What happened on the ice, as Afterlands explores, was far more complex. The heart of the book moves between Tyson’s diaries and a riveting narrative of Arctic survival. From the moment they are set adrift, and even before, Kruger and Tyson seem destined to clash: Kruger is an intelligent individualist, an outsider who refuses to be loyal to any one country; Tyson, meanwhile, is a flawed but sometimes brilliant leader, a man who needs to constantly be testing himself against the world. Brave but also insecure, he is unable to stop the German contingent of his party from banding together under their national flag in an armed near-mutiny on the drifting ice. The third key character in this book, Tukulito, was the Arctic’s first professional interpreter. Known also as Hannah, she moves between two worlds: expert at gutting a seal, she has also had tea with Queen Victoria. Her different roles – translator, mother, mender, marksman – keep the party from disaster, as suspicion and violence increase. And the quiet, impossible passion Kruger feels for her almost redeems their lives in a frozen hell. But Afterlands is also a novel about what follows the life-changing event: the long shadow it casts, as well as the conflicting stories that compete to become historical record. Back in the world, the protagonists will experience various degrees of tragedy. Tukulito’s is perhaps the most personal, while Tyson, who sought only to gain the world’s esteem, is disgraced by later failure. Kruger, meanwhile, attempts to disappear into Mexico, again seeking a place beyond “the colonels of the world” – but he finds himself, perhaps inevitably, drawn once more into the unending conflicts between nations, between peoples. This novel is a triumph of storytelling from one of Canada’s most acclaimed writers. Gripping and beautiful, it is a scintillating exploration of the extremes of human experience. Afterlands brilliantly examines both a devastating encounter with the natural world and the unrelenting demands of the human heart.
IN A BROKEN CITY, A DISTURBED KILLER IS TRYING TO REMAKE THE WORLD IN HIS IMAGE. Detective Gabriella Versado has seen a lot of bodies. But this one is unique even by Detroit’s standards: half-boy, half-deer, somehow fused together. And it’s only the first. As winter closes in on Detroit, strange and disturbing corpses start turning up in unusual places, pulling several lives into the killer’s orbit. Gabi has to juggle the most harrowing case of her career with being a single mom to her troubled teen daughter Layla. Layla, egged on by her best friend Cas, is playing a dangerous game with an online predator. Broken Monsters is a dark and gripping thriller about the death of the American Dream, online fame, creativity, compromise and the undercurrents of the world we live in right now.
Lauren Beukes's frighteningly persuasive, high-tech fable that follows four narrators living in a dystopian near-future. Kendra, an art-school dropout, brands herself for a nanotech marketing program. Lerato, an ambitious AIDS baby, plots to defect from her corporate employers. Tendeka, a hot-headed activist, is becoming increasingly rabid. Toby, a roguish blogger, discovers that the video games he plays for cash are much more than they seem. On a collision course that will rewire their lives, these characters crackle with bold and infectious ideas, connecting a ruthless corporate-apartheid government with video games, biotech attack dogs, slippery online identities, a township soccer school, shocking cell phones, addictive branding, and genetically modified art. Taking hedonistic trends in society to their ultimate conclusions, Lauren Beukes spins a tale of a utopia gone wrong, satirically undermining the idea of progress as society's white knight.
A Punk Lolita fighter-pilot rescues Tokyo from a marauding art installation. A young architect’s life is derailed by an inquisitive girl who happens to be a ghost. Loyalty to a favorite product can be addictive when it gets under your skin. In her edgy and satiric debut collection, award-winning South African author Lauren Beukes (The Shining Girls) never holds back. Ranging from Johannesburg to outer space, Beukes is a fierce and captivating presence in the literary landscape.
A new paperback edition of Lauren Beukes's Arthur C Clarke Award-winning novel set in a world where murderers and other criminals acquire magical animals that are mystically bonded to them. Zinzi has a Sloth on her back, a dirty 419 scam habit, and a talent for finding lost things. When a little old lady turns up dead and the cops confiscate her last paycheck, Zinzi's forced to take on her least favorite kind of job--missing persons. Being hired by reclusive music producer Odi Huron to find a teenybop pop star should be her ticket out of Zoo City, the festering slum where the criminal underclass and their animal companions live in the shadow of hell's undertow. Instead, it catapults Zinzi deeper into the maw of a city twisted by crime and magic, where she'll be forced to confront the dark secrets of former lives--including her own.